8.20.2010
8/18/10 Employment
8.19.2010
8/19/10 Kalima
7/1/10 Haggling in the Chinatown Souq
7.02.2010
7/2/10 One Step Forward...
6.24.2010
6/24/10 Missing Morocco
And I already miss Morocco.
I don't miss everything. I don't miss the ice-cold tap water, or the never-ending language confusion.
But I do miss ... so many little things.
I miss my baby brother's smiles.
My host mom's hugs.
And her cooking.
Especially her couscous.
I miss seeing people light up when they realize I speak their language.
I miss the pace of my self-structured days.
I miss walking. (Here, all transportation is car-based.)
I miss having people understand me when I speak Arabic or Tam. ('Cause I still do speak them both, if I'm not thinking about it; just now, my sister asked me a quick question, and my reflexive answer was, "Isul l-Hal." Which I then had to translate to, "Not yet.")
And I miss the physical intimacy of Morocco.
I know I've talked before about it, but it's probably been a while, so here's a refresher:
In Morocco, you have to greet everyone you see. And by "greet", I mean touch and speak to. If you walk into a crowded room, you take a minute to walk around and greet everybody. (Unless it's really crazy-crowded, in which case a quick wave at the crowd can suffice.) If you pass a friend on the street, you stop. Extend a hand. If it's an opposite-gender friend, a quick touch of the fingers passes for a handshake, and you ask about each other's well being, then move on. If it's a same-gender friend, you grasp hands, kiss each other's cheeks, and keep hold of each other while you ask about each other's well being, the wellbeing of each other's families, friends, etc. Then you might even kiss cheeks again before saying goodbye.
And when you're sitting in a room with someone of the same gender, you sit *with* them. In each other's personal space. Usually touching them.
I miss that.
The firm press of a friend's/sister's/neighbor's leg against mine as we sit cross-legged against a wall. The weight of a little one leaning back against me.
When I first got to Morocco, I found myself oppressed by all the constant touching. I craved personal space and alone time. I still need both of those things, but now only in moderation - and I now find myself craving the friendly physical contact that is so readily shared in Morocco.
And couscous.
I really miss Ama's couscous.
5.14.2010
5/14/10 Berberville Says Goodbye
5.06.2010
5/6/10 Word of the day: Dwr
5.05.2010
5/5/10 Best Pizza in Rabat
When PCVs go to the Peace Corps office in Rabat, we're often there for the whole day, which means we run into that critical lunch question. Over in the center of town, there are millions of food options, but back in the office's neighborhood, pickings are slim. 5.02.2010
4/24/10 Squished Muffins
4/30/10 On Relationships, aka "That's Why I Got a Dog"
5/1/10 My Last Month
4.29.2010
4/25/10 QOTD: "So, are you Ali's wife?"
4.28.2010
4/23/10 Mural Painting 101
- Decide which patch of wall you want to paint.
- Decide how big the final mural will be.
- Wash the wall.
- If you're scaling up from an existing image, figure out the dimensions, do the math, and calculate the precise size of the mural.
- With a tape measure and Sharpie marker (and ideally either a bubble level or a third partner who has a good eye for level), designate the boundaries of the mural.
- With a chalkline, ensure the boundaries are perfectly straight.

- Decide what color the background of the mural will be. (For world maps, it makes sense to prime the wall in light blue. That way, the oceans are done, without having to be hyper-careful around continent boundaries. You can just roller them on!)
- Mix your paint.

- Roller in the bulk of the paint. (Is roller a verb? What else do you call applying paint with a paint roller?)

- With a small brush, cut in the edges. Most Moroccan walls are thinly plastered and then whitewashed, so taping the edges isn't an option - you'll rip off half the wall. Hopefully you'll have someone as attentive to detail as we did.

- If you're gridding your mural - ie, scaling it up, bit by bit, from a small image, using a grid system - you'll want to snap chalklines at even intervals, so you have a visible grid above your primed surface. To make a precise replica, you'll need to figure out the scale factor between the image in your hand and the mural on the wall. It's math you probably haven't thought about since 7th grade, but sit down with a ruler, tape measure, pencil, and calculator and you'll work it out. :)
- Either freehanded or using a pre-existing image (with or without a grid), draw your picture onto the primed surface. Use a pencil. You can't really erase unless you have an art gum eraser, but you can smudge it pretty easily, so at least you'll know later that you didn't mean that particular line. Besides, you'll be painting over it all, right? :)


- If necessary, go back over your penciled lines with a Sharpie. In bright, direct sunlight, our pencil lines were nearly invisible. We shaded them with our arms and redrew them in Sharpie, so they'd be easy to see later, when we had paint brushes in-hand.
- Color your own copy of the picture. (This step can be skipped if you have access to a color printer.) We used colored pencils and the black-and-white printouts of the map, and I got to regress to kindergarten. :) Also, we thought that a few of the colors on their map were too similar (like an orange and a peach that we had to squint hard at), so we changed them.

- Choose your paint colors. If they match the colors from (3), your life will be a lot simpler. Then mix your paint colors. Our art guru did this for us, with gorgeous success.

- Color-swatch your picture. (Especially if your image is complex, like a world map.) That is, daub paint in each little section, so that your mural becomes more or less paint-by-number. This prevents you frantically referencing the printout in your hand (that you hopefully remembered to bring!), trying to figure out if that little corner of Madagascar should be dark green or light green, while swarmed by eager children. Also, this allows children to paint all the sections of their color, without having to check back with you. (Yes, this does make your map look like it has technicolor smallpox, but that won't last long.)

(L) Half of the world biome map (R) Half of the Water Cycle mural




So there you have it, friends: the seven-step guide to a fabulous mural day. Our Earth Day was a huge success, in my opinion. The kids had a great time, they learned good things, and now their school has trees and murals to embed the memories permanents.
4.27.2010
4/20/10 Sprinks' Camp Photos, cont.
Alternatively, we might take a walk into Emerald City's town center, in search of note cards or art supplies or masking tape or ICE CREAM.4.25.2010
4/17/10 Sprinks' Camp in Photos

So that was the club. For English class, each day's lesson was organized around the theme of the day. For Environment Day, my students created posters with concept maps linking environmental ideas:
4.18.2010
4/18/10 The Middle of Beautiful Nowhere
After 26 months in-country, after 23 months of service, it's time for me to go...which means it's time for me to be replaced.
I'm on the cusp of my Berberville departure, which means Berberville will get a new Environment PCV to carry on my work and begin his own.
My replacement's term of service starts May 5th, which means we'll get 2 weeks of overlap before I swear out on May 19th (inshallah)...but he's here now, getting his "Site Visit", aka sneak peak.
I admit, I was a little apprehensive about my replacement. I knew he'd be male, since I'd insisted on that with my entire staff, all the way up and down the chain of command. But beyond that, I had no idea what to expect. I could anticipate a great person, simply Peace Corps is just about exclusively staffed by amazing human beings, but still...
What if he doesn't like Berberville?
What if my host family doesn't like him?
What if he alienates everyone I care about in town?
I admit, the first concern was probably the biggest. I could be almost positive that he'd be likeable, since, hey, he's a Peace Corps Volunteer. But what if he didn't like the town I've come to love? What if he took one look at my naked mountains and barren hillsides and recoiled?
This fear is well-grounded: my first stories of Berberville came from a CBT/stage friend, who came here on a field trip. She came back to us with stories of "the ugliest place in Morocco". She said something like, "If they put me there, I'll cry. And then I'll ET."
So when I got assigned this site, I thought, Oh, no, I'm going to the ugliest spot in Morocco!
But then I came here.
And I realized that there are many kinds of beauty. And while my friend didn't appreciate the sere beauty of my brown hillsides, I rejoice in the visible geology, with its sweeping folds and tearing faults and the vertical beds that rise like highways to heaven. I've taken hundreds of photos that I hope will be published in geological textbooks - this place is literally textbook geology. I've seen cross-cutting relationships that took my breath away, and complex folds that stir my heart.
Am I a geonerd? Abso-blimmin-lutely.
But I find my site truly, deeply beautiful...and I want others to, too.
The times I've shared my site with visitors, I wait with bated breath to hear them say something gently disparaging, like, "It must have been lovely when trees covered the hillsides," or "Well, at least the skyline is kind of dramatic."
So far, everyone has admitted only to liking it.
Alhumdulillah.
But still, what if my shoes were filled by someone who felt Berberville was a site to endure instead of a place to celebrate?
So his reaction mattered.
As we rode up on our four-hour journey from SouqTown, he kept asking me about the geology.
This encouraged me.
His field is biology, not geology, but he finds it interesting.
I felt hopeful.
When we got to the final 5 km of the trip - the most breathtaking geology I've ever seen (and yes, I've been to the Grand Canyon and Zion National Park and other gorgeous spots) - he let me revel in the beauty. He sounded appropriately appreciative, for which I was grateful. I told him how nervous I'd been that he might not like it.
His response: "Anyone who can come to the middle of beautiful nowhere and not appreciate it shouldn't even be in Peace Corps."
The middle of beautiful nowhere.
150 km from any decent-sized town.
12 hours from any city.
The cultural, historical, and geographical center of Morocco.
The middle of beautiful nowhere.
Oh, and my host family and everyone else? They like him.
Yeah, I'm leaving Berberville in good hands.
Alhumdulillah! :D
4.10.2010
3/28/10 The Insurance Samaritan
Even though this year's camp was on the opposite end of the country from last year's, with a 100% different staff (well, except for me), I expected things to be similar. I'm good at making predictions based on past events. It's one of those critical thinking skills the American educational system excels at giving its students.
And broadly speaking, yes, this year's Camp resembled last year's. Similar daily schedule, similar hopes on the part of the students/campers and staff, even a similar menu. (Though this year we got *meat* at every lunch and dinner, which indicates that our mudir - the Moroccan in charge - spent every penny of the food budget on food.)
But a few logistical things were different.
Instead of being housed in a dorm with the students, we PCVs were in a separate building, with a separate entrance. While there were a few computers available for our use, whereas last year there was only one, the printer didn't show up till the second day, and it never worked. Last year we had free use of a printer and photocopier, which made many things easier. (For one, I spent about half of each English class reviewing environmentally-themed songs, which meant the students needed printouts of the lyrics.)
Solution to the printer-less problem? We walked into town, where we found lots of cybercafes.
Interestingly, though, cybercafes in Emerald City don't have printers.
Huh.
We went into a couple, and they all seemed to think it ludicrous that one might wish to print out that which one could see perfectly well on-screen.
The only printer in the whole town, apparently, lived in a teleboutique about a 20 minute walk from the camp.
So that's where we printed stuff the first night.
The second day, though, we tried to do our printing during the mid-day siesta break.
And the teleboutique was closed.
When we discovered this, Sprinks and I brainstormed possible solutions. (Another of those nifty critical thinking skills.) First we tried the mktaba (office supply store) where we'd gotten cardstock and permanent markers and other tools of the camp counselor trade.
Photocopier, yes. Printer, no.
Next, we brought our trusty thumb drives (aka USB drives, aka flash drives) to a photography studio. They print photos off of USBs all the time, so it stands to reason they have printers and computers, right?
Turns out they have photo printers only.
Or so Mr. Printer Man told me, when I politely asked for his help. (In French, since Emerald City is an Arabic-speaking town, with no more than a scant handful of Tam speakers.)
Then he hesitated.
"How many copies do you need? Like, 10ish?"
"No, like 5." I glanced over at Sprinks for confirmation. In English, I quickly asked her how many she needed. She needed two pages, I needed three. "Yes, just five pages," I confirmed to Mr. Printer Man.
"Well, the machines here only work for photos...theoretically. Hang on a sec."
Sprinks and I exchanged glances. I translated the conversation for her, and we prepared to wait. This being Morocco, "a sec" could be anything from thirty seconds to 2 hours. We'd given ourselves a big time window - about an hour and a half - to print out our five pages, but we both knew that time here flows differently than it does in America.
About 5 minutes later, Mr. Printer Man closed up his side of the shop and headed to the door. Sprinks and I exchanged glances again. "Should we follow him?"
Just then, he looked back. "Come on," he said, in one of the few Arabic phrases I know. (Of course, Sprinks's Arabic is awesome, so I'd planned to rely on her, but it's always nice to know first-hand what's going on.)
We followed him into the street, exchanging further dubious glances. He led us up the block.
"Do you think he's taking us back to the mktaba?" Sprinks asked, in the usual PCV linguistic soup.
"I dunno, imkin," I answered. (It's possible.)
But we walked past the office supply shop and kept going. We continued to the edge of the business district. We followed, not sure what else to do, both wondering if he was taking us to his house?!
Confused but cautiously hopeful, we kept after him. And then Mr. Printer Man walked up to an insurance office, closed and locked for siesta.
He pulled out a keychain.
Did he live above the office? Did he own the office?
He unlocked the door and walked through. We followed him in. He walked back to the farthest desk, and began powering up the computer on it. He motioned us into the seats across from him. It felt - and must have looked, to someone looking in through the glass doors from the street - like we'd come to buy insurance.
He offered us his card. It turns out that Mr. Printer Man is only a part-time photo printer, and a part-time insurance salesman. This was his desk, in his office, where he could help us out.
When the computer had booted up, he reached for our thumb drives. We handed them over, one by one, pointing out the documents we needed. He printed us one copy of each (and asked if we wanted more, but we refused).
"Should we pay him?" Sprinks murmured.
"I dunno; I'm trying to think how to ask without offending him," I whispered back.
As we stood up to leave, heaping profuse thanks and blessings upon him and his parents, I seized upon an excessively formal French construction that allowed me to ask if one could possibly pay for this? He refused instantly and profusely, as I'd expected, so I reiterated the thanks and blessings, shook his hand, and turned to go.
The photocopy place was only half a block away, and we quickly got all the copies we needed. The whole thing had taken something like half an hour, leaving us plenty of time to join our friends over at the cafe before returning to camp.
So the camp didn't have a functioning printer. So the only pay-per-page printer in all of Emerald City was closed for lunch. The insurance samaritan had gone way, way out of his way to take care of us - two people he'd never seen before and would likely never see again.
I really love this country.
4.06.2010
4/1/10 Sprinks' Camp
Al-humdulillah, we have an awesome group of Volunteers working here in Emerald City. Awesome.
And from here on out, I’m going to refer to us by the nicknames we gave each other.
Our fearless leader is Sprinks, shortened from Sprinkler, who famously sprayed an entire table and several friends with water after hearing the 10,000th joke of the day from our resident comedienne. That fabulous female is now Wudja, from her habit of posing brain-twisting “Would-you-rather” puzzlers, like “Would you rather run naked through your site for a full day, or spend a full week slapping on the butt everyone you greeted?” or “Would you rather battle a witch pilgrim or a zombie shark?”
My Environment partner-in-crime is now Zifi, truncated from Zombie Fish. See, we Volunteers tend to slip off and play cards from time to time, and one of our games of choice is E.R.S., also known as Double Jack Slap. (You know, the one where you slap doubles and sandwiches, and where face cards let you steal the pile.) If you run out of cards, you’re out – but you can slap your way back in, if your fingers are quick enough. Zifi got out early in one of our first rounds, and his outstretched palm, twitching and flopping and shuddering as it kept reaching out to slap the stack and then checking itself against illegal slaps, looked like a cross between a flopping fish-out-of-water and a shuddering zombie. Hence, Zombie Fish.
The only Volunteer working the camp who I hadn’t met before was RoRo. He’s the newest of the five of us, having only been in-country for about six months. Whence the nickname? Well, we were trying to decide what simple song to sing with the campers at the pre-dinner camp song spectacular (previous favorites include “Boom Chick-a Boom”, “Go, Go Banana” and "The Hokey-Pokey"). Somebody suggested “Row, Row, Row Your Boat,” so we gave that a trial run. RoRo opened with an arpeggio. When, after three gentle (and not-so-gentle) reminders that all three Rows are supposed to be on the same note, we just accepted that (1) he’s tone deaf, and (2) he’ll be RoRo forever.
And my nickname? Well, between my penchant for playing the original “Big Yellow Taxi” (which I taught my kids, for its English vocabulary and environmental message), my habit of bursting into random snatches of song, and my general tree-hugging hippy behavior, it was decided that I’m an updated version of Ms. Joni Mitchell. And since I give back rubs to my fellow PCVs, and there’s no record that Joni Mitchell is a massager, I’ve been deemed an upgrade: Joni 2.0.
So without further ado, I’d like to introduce the American staff of Spring 2010’s Spring Camp in Ben Slimane: Sprinks, Wudja, Zifi, RoRo, and J2.
1/6/10 Inventory
Yes, this post is three months overdue. Whoops.
As I rode the bus back after my long European vacation, I reflected on the transformed contents of my backpack. I’d traveled with a small pack, so I could carry-on with it (and thus dodge RyanAir’s travel fees), and had deliberately brought my least favorite clothes so that I could leave them behind, in trash cans and/or hostel share-boxes. I managed to drop 2 thick cotton shirts, a longjohn shirt, a pair of socks, and a bottle of shampoo.
I also swapped out an apple for 4 granola bars, and an empty memory card for a full one (despite repeated purgings).
And I filled the space left behind by the abandoned clothes with FOOD. Mmmm, food. 3 bottles of herb-saturated olive oil from Rome. A round of goat cheese from Amsterdam. A wedge of brie from the airport in Brussels (there’s a story there…). A wedge of parmesan from Rome. A wedge of redball cheese from Fez’s Marjane. A box of green tea. A bottle of syrup-infused crème. A bottle of fish sauce. A toy box with 8 Van Gogh paintings, from Amsterdam’s Van Gogh museum. A Starry Night mug from a tourist shop in Amsterdam. A holy shot glass from the Vatican (by special request for a friend). A rainbow pin saying “Peace” in Italian. ~15 country patches, to be sewn on to backpacks/jackets/whatever. Postcards and notecards from the Escher museum.
But my best exchange story involves books.
4 random romance novels inherited from a COSed Volunteer went into Café Clock, in Fes, where they magically transformed into 3 much better books: Bram Stoker’s Dracula (so much better than I’d expected!), Europe on a Shoestring (necessary for any cheap/broke/PCV traveler in Europe), and Margaret Atwood’s Year of the Flood (as hauntingly memorable as her other dystopian futures). I swapped Dracula for Isabelle Allende’s City of Beasts (nutshell: she should stick to writing for adults) on my second day in Marseilles. I swapped Year of the Flood for David Sedaris’s Me Talk Pretty One Day (soooo much funnier than his depressing Christmas stories) on my first day in Rome. In Amsterdam, Shoestring and Beasts left me in exchange for James Joyce’s Portrait of the Artist as a Young Man (not my cup of tea) and D.H. Lawrence’s Women in Love (couldn’t get into it – too much dry psychoanalysis, not enough nice people). In Brussels, a friend gave me John Safran Foer’s Extremely Loud and Incredibly Close (redefining what a “novel” can be – breathtaking!), and I surrendered Joyce for Khalid Housseini’s Thousand Splendid Suns (which made me sob hysterically for about half an hour; Housseini is not for the faint of heart, and his portrait of womanhood under totalitarian regimes and totalitarian husbands…searing, to say the least).
Thus did 4 totally forgettable novels turn into some of the best books I’ve read.
Traveling is cool. :)
3.24.2010
3/22/10 SouqTown Clean-Up














